Digital Handmade

FAIR TRADE from Nepal…
 
I am doing a little solo exhibition called Digital Handmade in the So far the future gallery off Lambs Conduit St from December 1-7. The private view will be at 6-9pm on December the 1st.
 
The exhibits have all been somehow created from images ive made and either woven into wool, cut into felt or sewn into fabrics with traditional craft-makers in Nepal. It is the results of an eight month trip to Nepal and India to work with fair trade craft-makers. There will be rugs, bags, toys, prints, lampshades and books, i will also have a preview copy of my new book. There will be nice photos of the items being made also. 
Many of the items are for sale. Many of the carpets from NODE will also be displayed and on sale. Hope to see you there!
 
 
 
*UPDATE* there is also a competition to design your own rug!
go here to enter
 

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4 handmade rugs


06-x_more_swing

handmade owl toy


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handmade owl toy


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4 screenprinted bags


lamp2

handmade paper lampshade


lamp3

handmade paper lampshade


owlva

prints


handmade felt toys

handmade felt toys


Preview of my book

preview of my new book Oh No, George!


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preview of my new book Oh No, George!

 
Digital designs made by hand with traditional Nepalese craft makers.

 

These designs were all created digitally and translated into objects by traditional crafts. In 2010 I spent 8 months in India and Nepal working directly with fair trade makers.
I collaborated with the craft-makers to conceive and design products and projects that can be made and be sold to help support fair trade schooling and literacy projects. The items in the show are all made in Kathmandu with fair trade producers.
The makers of all these projects are either illiterate / disabled or in need of financial assistance. The fair trade projects operate literacy classes for the adults and provide schooling for their children without which many would not have the opportunity to attend.
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THE WORK
 
NODE: Hand woven tibetan wool. Digital images woven in wool by hand
The rugs are entirely made by hand traditional Tibetan carpet making techniques. They are made from Tibetan wool. It is hand spun into yarn, hand dyed with natural and non-polluting dyes, and then hand-knotted on our looms into carpet. Together with the makers we found a way to convert designs into from pixels into carpet knots on the loom using graphs.
We plan to connect more artists with the makers and have set up Node to help facilitate this.
ullu cotton toy
Made from raw cotton. It is hand-spun into yarn, dyed, hand-woven and finally sewn by the women at Mahaguthi. Ullu is the nepalese word for owl
Forest Lamp
Screen-printed on hand-made nepalese Lokta paper, it has been created by the womens shelter at Mahaguthi.
Felt toys
These characters have been converted from 2D designs into 3 dimensional felt toys
Picture books and prints
Some images and prints related to my picture book A Bit Lost as well as a preview of the next book Oh No George! 
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THE MAKERS
 
Mahaguthi 
Mahaguthi is the oldest social enterprise in Nepal. It was started by the legendary social reformer Tulsi Mehar in 1923. In the early 20th century Nepal had a very rigid caste and social structure, only the high caste men were educated and literate. Mehar campaigned against this inequality and for this he was exiled by the Rana government to India. His interest in reform led him to Mahatma Gandhi and they worked together for many years. His time with Gandhi gave him an opportunity to gain insight to the liberation of the underprivileged. In a system where there are no opportunities for women to bring in money for themselves they must rely on their husbands and fathers. Without the means to improve their own lives women’s situations can be very restrictive and this can be hugely problematic if there is domestic violence or abuse. Mehar and Gandhi’s vision for reform was to empower women through education and income generation projects so that they can become economically self-reliant. Gandhi wrote to the Prime Minister of Nepal to ask him to let Mehar back into the country. Once back in Kathmandu in 1923 and with a donation from Gandhi, Mehar set up the spinning and weaving development project that became Mahaguthi. It was not only the first social development project in Nepal but was actually among the first ever manufacturing units in the economically closed feudal country.
Mahaguthi currently takes on 90 new women annually (most are widows or victims of domestic abuse) to train them in literacy and employable skills and school their children as well as supporting a hospital.
Kumbeshwar Technical School
Kumbeshwar are a founder member of Fair Trade Nepal. Employees are taught literacy and skills. In addition to fair wages their work supports a school of 260 children and an orphanage of nineteen.
Associated Craft Producers
The largest fair trade group in Nepal. They were founded in 1984 with 38 producer and have now grown to support 1,200 makers. They teach literacy and skills to their makers.
for more information you can mail me at chris at vegetablefriedrice dot com
 
By |2020-05-13T12:50:03+00:00November 10th, 2011|7 Comments

PKN Kathmandu: Nepal in 2020

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The theme for the next Pecha Kucha Night Kathmandu is ‘Envisioning Nepal in 2020’.
Designers and artists as well as policy makers and other interesting folk are each to each give their 20-slide point of view. Im very excited by this theme in particular, Nepal has an amazingly talented and energetic bunch of young people. I wish i could be there to see it. I am so excited to see PKN doing so well and am very proud to have a part in setting up the first one. Hats off to the inspiring Sujan Chitrakar for all his super-human organising powers.
 
 
join their facebook group or like them here to get updates
 
By |2020-05-13T12:50:03+00:00November 8th, 2011|0 Comments

from craft to digital and back again

This post was done as a commission for the UK Crafts Council 40:40 exhibition
I was asked to respond to 3 objects from their collection
the final objects chosen can be viewed on their 40:40 website

http://onviewonline.craftscouncil.org.uk/4040/responder/1

What I find interesting about craft is learning from the different techniques and ways of using materials. The process of finding successful techniques and then refining and developing those processes is similar to how i approach my illustration work.
Through three craft objects i will try to explain 3 different aspects of my approach to work. Craft processes, Digital processes and from From digital back to craft

 

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Craft Processes
Nora Fok’s knitted nylon ‘Bubble Bath’ makes use of a simple and delicate knitting technique. With an unusual material and a simple starting point she repeats and layers of bubbles to build up an exquisitely beautiful object. 
 
'Bubble bath' Nora Fok 2001

‘Bubble bath’ Nora Fok 2001

 
I will try to explain how i developed my way of creating images as i think it may have similarities to Nora’s craft process. I created many screen prints for the fair trade company People Tree. These prints need to be extremely simple graphic shapes, with one or two flat colours as the printing process is quite simple. I was drawing plants and floral imagery but needed to keep it very simple and graphic so that it could be easily translated to the screens. As I enjoyed the freedom of reducing imagery to basic shapes I began to play with these in my digital work. They became more and more abstract and and stylised as I worked on them. I built up layers of these images to create more and more complex images. In the end the image has become quite complex, but it is still derived from simple abstracted screen printed shapes. I think the process has similarities to Fok’s work in that the beauty comes from the layers of these simple handmade shapes as they build on top of each other.
 
'People Tree calendar' Chris Haughton 2007

‘People Tree calendar’ Chris Haughton 2007

 

People Tree repeat pattern print. Chris Haughton 2008

People Tree repeat pattern print. Chris Haughton 2008

 

People Tree repeat pattern print. Chris Haughton 2008

Burton pattern print Chris Haughton 2011

 

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Digital Processes

 

I work almost entirely digitally now and am very grateful to the computer as a tool. When i began illustrating i was creating images by hand and they were often either compromised by limitations of the materials and tools, or ruined by mistakes. Digital images on the other hand are almost endlessly malleable and so allow a lot of experiments with colour and layout. 
I am very interested in the possibilities of digital tools. Drummond Masterton’s piece makes use of the crisp lines and vectors of the CNC, subverting the intended uses of the hardware. When myself and my friends in college started using digital tools to edit drawings rather than photos twelve years ago it also felt like we were also subverting the intended use of the software. Its exciting to think that when the technology is so new, its makers cant foresee exactly how it will be used. 
 
Star Tesselation Dish ST 14 Drummond Masterton 2007

Star Tesselation Dish ST 14 Drummond Masterton 2007

 
 
When i saw Drummond’s work I was reminded of this film by the artist duo Semiconductor, they have taken 20hz radio waves and interpreted it as audio. What we are hearing is solar wind. I find it incredible to think of the possibilities with digital media. In this case it allowing us to see and hear things outside the limits of our perception.
[vimeo http://www.vimeo.com/30668685 w=500&h=283]
Semiconductor 2011
 
 
For my own work, digital media allows me to print and work with colours and saturation levels outside of what is possible to produce by hand. It also allows me to produce images with much more creative flexibility than i could do otherwise.
 
Image from the book A Bit Lost in production Chris Haughton 2009

Image from the book A Bit Lost in production Chris Haughton 2009

 
 
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From Digital back to Craft

 

 

Having started off from an interest in craft I have come full circle with my digital work. My latest projects are re-interpreting the digital images i have created as craft. I had been looking to work again with textures and natural colours and create something ‘physical’ because much of my recent work was entirely screen based. I was also keen to apply my design work to something that benefitted others. In 2010 I took eight months off to live and work in Nepal and India creating craft objects with fair trade craftspeople.
 
Wedgewoodn't Tureen Michael Eden 2010

Wedgewoodn’t Tureen Michael Eden 2010

 

 
I was fascinated by Michael Eden’s piece. He has created a rapid-manufactured object in the shape of a traditional tureen. In process this is the mirror opposite of my own recent work. Whereas he has made a traditional design using a digital process i have been making digital designs using traditional processes. My rugs are graphed so that each pixel is converted to a carpet knot. I hope to experiment more with the processes between digital media and craft as i see it as a rich area at the moment with current technology.
 

Creating the graph: Rug in production Chris Haughton 2011

Creating the graph: Rug in production Chris Haughton 2011


Woven in wool on the loom: Rug in production Chris Haughton 2011

Woven in wool on the loom: Rug in production Chris Haughton 2011


Cutting and finishing: Rug in production Chris Haughton 2011

Cutting and finishing: Rug in production Chris Haughton 2011


Owl rug Chris Haughton 2010

Owl rug Chris Haughton 2010

 

By |2020-05-13T12:50:03+00:00November 7th, 2011|Tags: , |0 Comments
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